AFI Docs Wrap Up

AFI Docs Wrap Up

At the recently concluded AFI Docs presented by Audi, the Audience Award for Best Feature was presented to director Yoruba Richen’s “The New Black,” an insightful documentary exploring the divide over gay marriage among black voters, including its entrenched opposition by African American churchgoers. The Audience Award for Best Short went to director Joshua Izenberg for “Slomo,” a fresh look at doctor John Kitchin’s leisurely but fulfilling life rollerblading on the beach after giving up his successful but hectic medical practice.
Photo: AFI Docs
Yoruba Richen’s “The New Black”

“While this was a transformational year for the festival with an expanded footprint into the heart of Washington, D.C., at our core remains a commitment to celebrating the best in the documentary form. The tremendous enthusiasm and response to the film program and its related panels surpassed even our highest expectations,” said Sky Sitney, AFI Docs director.

The AFI Docs film festival, previously thriving as Silverdocs for 10 years, completed a successful first year under its new name, which marks the film fest’s expansion beyond Silver Spring, Md., and the American Film Institute’s foray back into D.C., where its 1965 founding was initially announced in the White House Rose Garden.

AFI Docs unspooled 53 films from 30 countries in prominent cultural venues across the city. Among this year’s 19,000 attendees were 845 filmmakers, documentary subjects, reporters, industry professionals, panel speakers and other special guests. Government officials and policymakers included Attorney General Eric Holder, Supreme Court Justice Stephen Breyer, Sen. Robert Menendez (D-N.J.), and White House staffer Frances Anne Holuba.

Film professionals appearing in person included 2013 Guggenheim Symposium honoree and Oscar-winning director Errol Morris, Pulitzer Prize winner and “Undocumented” director Jose Antonio Vargas, and AFI Docs opening night film “Letters to Jackie” director Bill Couturié.

This year also marked the debut of the Public Policy Engagement Program, which provided forums for more than 52 filmmakers to engage with Obama administration officials and congressional policymakers in a “film and politics boot camp” that explored topics such as education, immigration, intellectual property and the role of humor in politics.

About the Author

Ky N. Nguyen is the film reviewer for The Washington Diplomat.